The play is divided into three acts called ‘Days’, even though it runs over more than three days.
In its staging Divinas palabras (Divine Words) is an elaborate play, featuring a grotesque and colourful cast of characters. Originally located in the Galician countryside, its setting is rural, featuring sunlit groves of trees, cornfields, rivers, quaint villages and houses, poultry and livestock. The juxtaposition between the picturesque setting and the darkness of the plot is remarked upon by Marion Peter Holt, who notes that ‘[g]iven the grim progression of the action and the emphasis on the grotesque and diabolic, it is easy to forget that Valle-Inclán set several of his scenes in bucolic surroundings bathed in sunlight’ (1986: 85).
The main locations in the play are:
The action moves swiftly from location to location. This is particularly true in scene 8 of Day Two in which Mari-Gaila encounters the Goat Goblin on the roadside. The Goat Goblin magically transports her to a path along the side of an estuary, and then to a church at a crossroads. A red light glows inside the church and there are witches dancing around it. At the end of this scene Mari-Gaila is spirited up into the air, and finds herself atop the goat-goblin.
The death of Laureano, which takes place in scene 7 of Day Two, is depicted in a quasi-religious manner. While he is being fed more and more alcohol, an elderly couple with a young daughter are seated having a meal in the inn. The directions state that their stance and reaction to Laureano’s final moments should resemble a nativity scene, with the young girl dressed in a purple robe and all three characters appearing wax-like, as if they were figurines on an altar.
Nudity
In scene 10 of Day Two Marica del Reino’s old and wizened breasts are exposed as she looks out of her window to find Laureano’s rotting corpse outside her house.
In scenes 4 and 5 of Day Three Mari-Gaila is progressively stripped naked as she is chased through the fields and eventually lifted onto a cart to be brought back to her husband.
Animals
The play is full of animals. Chickens and pigs run in and out of houses, cattle graze in the fields and characters travel on horseback. Séptimo Miau is accompanied by two animals. His dog, Coimbra, dances on its hind legs. His goldfinch, Colorín, wears a little yellow uniform and hat. It is carried around in a cage.
Notable Characters
Mari-Gaila is beautiful, blonde and voluptuous.
Simoniña, in contrast, is clumsy, large and unattractive.
Pedro Gailo is gaunt, balding and has a squint in his eye.
Séptimo Miau wears an eye-patch over one eye.
Miguelín is an effeminate character. He wears an earring in one of his ears and has a curly hair growing out of a mole near his mouth.
Laureano is a grotesque huge-headed dwarf. He rides around on a cart that has been crudely converted into a bed for him. After he dies his corpse becomes putrid and bloated.
Minimum | Maximum |
---|---|
4 males | 22 males |
4 females | 28 females |
8 (total) | 50 (total) |
Entry written by Gwynneth Dowling. Last updated on 6 October 2010.