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Dido y Eneas (1613-1616), Guillén de Castro

Titles
English title: Dido and Aeneas
Date written: sometime between 1613 and 1616
First publication date: 1625
Keywords: morality > honour, family > marriage, family > duty, power > war, love > desire, love > lust, violence > suicide, violence > murder
Genre and type: tragedy
Pitch

The timeless story of Dido, the passionate Queen of Carthage and her lover, Aeneas the Trojan hero, is adapted in this tragic play to the form of the Spanish comedia. After the sexually-charged affair between the two, Aeneas is bound by duty to leave for Italy, and the play ends with the horrific suicide of the Queen. Influenced by several sources of the story made famous by Virgil’s Aeneid, this play dramatises the classic tale of love, duty and betrayal.

Synopsis

The play opens and closes with Hiarbas, King of Libya, the hopeful but unsuccessful suitor of Dido, the Queen of Carthage. Hiarbas allows Dido to rebuild her city on his land after the ... (Read more...)

Sources

A very loose adaptation and comedia treatment of the action-packed parts of the sequences in Book Four of the Aeneid which feature Aeneas and Dido. Yet some of the events come from ear... (Read more...)

Critical response

Another Valencian playwright, Virués, also wrote a play based on an alternative story which tells the story of Dido and Siqueus, but Castro chose to move the love affair between Dido a... (Read more...)

Editions
  • Castro, Guillén de. 1625. Dido y Eneas. In Segunda Parte de las comedias de Don Guillén de Castro, Valencia, Miguel Sorolla

    This is the first printing of this play.

  • Castro, Guillén de.... (Read more...)

Information about the editions

There are plenty of other adaptations of this ancient story; for example, the opera by Henry Purcell. (It was staged recently by Opera Warwick; see http://www.didoandaeneas.co.uk/)

It h... (Read more...)

Useful readings and websites
  • Barrett, L. L. 1939. ‘The Omen in Guillén de Castro's Drama’, Hispania, 22, 1, 73-78

  • Bruerton, Courtney. 1944. ‘The Chronology of the Comedias of Guillén de Castro’, Hispanic Review, 12, 89-151

    This is a wonderful resource which deals with this play on p. 123. Bruerton dates La fuerza de la costumbre ‘1610?-20? (1610?-15?)’ p. 150, and says it is an authentic play by Castro.

  • DiPuccio, Denise M. 1998. ‘The Heroic Coupling(s) of Dido y Eneas’. In Communicating Myths of the Golden Age Comedia, pp. 120-30. London, Associated University Presses

  • García Lorenzo, Luciano. 1976. ‘Temas míticos’, ‘Dido y Ecneas’. In El teatro de Guillén de Castro, pp. 182–92. Barcelona, Planeta (in Spanish)

  • Lida de Malkiel, María Rosa. 1974. Dido en la literatura española: su retrato y defensa, London, Tamesis (in Spanish)

  • McKendrick, Melveena. 1989. ‘Gil Vicente (1465?-1536?)’. In Theatre in Spain 1490-1700, pp. 19-26. Cambridge, Cambridge University Press

    For La fuerza de la costumbre and Dido y Eneas see pp. 127-129.

  • Rubiera, Javier. 2003. ‘Dido y Eneas’. In Historia del teatro español, ed. Javier Huerta Calvo, pp. 850-853. Madrid, Gredos (in Spanish)

  • Thacker, Jonathan. 2007. ‘Cervantes, Tirso de Molina, and The First Generation’. In A Companion to Golden Age Theatre, pp. 56-91. Woodbridge, Tamesis

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Entry written by Kathleen Jeffs. Last updated on 4 October 2010.

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