Marco Antonio de la Parra is both a medical practitioner (a psychiatrist) and an artist (director, playwright and fiction writer). He was the director of the university theatre group in... (Read more...)
Chilean history, politics and national identity are central themes in Marco Antonio de la Parra’s work. His theatre analyses how power is played out at the level of individual relations... (Read more...)
Marco Antonio de la Parra’s theatre can be satirical and also incorporates a variety of elements from collective memory and popular culture.
De la Parra, Marco Antonio. 1974. Quiebrespejos (Cracked Mirrors) (in Spanish)
De la Parra, Marco Antonio. 2011. Diván (Bed) (in Spanish)
De la Parra, Marco Antonio. 2007. La casa de dios (The House of God) (in Spanish)
De la Parra, Marco Antonio. 2001. Estamos en el aire (We’re in the Air) (in Spanish)
De la Parra, Marco Antonio. 1985. La secreta obscenidad de cada día (Secret Obscenities) (in Spanish)
De la Parra, Marco Antonio. 2000. Monogamia (Monogamy) (in Spanish)
De la Parra, Marco Antonio. 1993. Telémaco o el padre ausente (Telemachus or the Absent Father) (in Spanish)
De la Parra, Marco Antonio. 1993. Tristan e Isolda (Tristan and Isolde) (in Spanish)
Bixler, Jaqueline Eyring. 1993. ‘Kitsch and Corruption: Referential Degeneration in the Theatre of Marco Antonio de la Parra’ in Siglo XX: 20th Century, 11.1-2, 11-29
Boyle, Catherine. 1989. ‘La obra dramatic de Marco Antonio de la Parra o la representación de un juego hamletiano’ in Alba de América 7.12-13, 145-150 (in Spanish)
Cozzi, Enzo. 1990. ‘Political theatre in Present-Day Chile: A Duality of Approaches’, New Theatre Quarterly. 6.22, 119-127
Entry written by Gwendolen Mackeith. Last updated on 28 March 2012.
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