Florencio Sánchez was the eldest of eleven children. He wrote for two newspapers in Montevideo, El Siglo and La razón where he earned a reputation for being an excellent journalist. He ... (Read more...)
Florencio Sánchez’s concerns are fundamentally social. His recurring themes examine the experience of immigration on both sides of the River Plate, the changing role of the Gaucho in m... (Read more...)
Florencio Sánchez’s theatre has been described as realist, in the sense that it depicts archetypal social groups and their circumstances. His stagecraft, however, relies heavily on tra... (Read more...)
Sánchez, Florencio.1903.M'hijo el dotor (My Son, the Doctor) (in Spanish)
Sánchez, Florencio.1904. La pobre gente ( The Poor People) (in Spanish)
Sánchez, Florencio.1904. La gringa (The Foreign Girl) (in Spanish)
Sánchez, Florencio. 1905. Mano santa ( Holy Hand) (in Spanish)
Sánchez, Florencio. 1905. En familia (In Family) (in Spanish)
Sánchez, Florencio. 1905. Los muertos (The Dead) (in Spanish)
Sánchez, Florencio. 1906. El conventillo ( The Tenement) (in Spanish)
Sánchez, Florencio.1907. Moneda falsa ( False Coin) (in Spanish)
Sánchez, Florencio. 1908. Nuestros hijos (Our Children) (in Spanish)
Sánchez, Florencio. 1908. Marta Gruni (in Spanish)
Ramirez, Manuel D. 1966. ‘Florencio Sanchez and His Social Consciousness of the River Plate Region’, Journal of Inter-American Studies , 8, 585-594.
Richardson, Ruth. 1975. Florencio Sánchez and the Argentine Theatre. New York, Gordon Press
Entry written by Gwendolen Mackeith. Last updated on 17 May 2012.
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